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Joined 1 year ago
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Cake day: July 3rd, 2024

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  • It could have been an accident or incident that resulted in a death. They may have been collecting evidence. There are even some police in my area that uses conventional land surveying equipment and rapid high density laser scanners. Precise measurements of things like skids marks and other evidence of how the vehicles came to rest can be used to estimate initial speeds and confirm or refute the testimony of witnesses.

    It could also be something more mundane like an actual land surveyor collecting data to support future design work or verify completed projects.

    Neither of these are jobs that can be done at night or at times more convenient for your car.


  • You want mpd to server and play the music, connected with a web front end (there are a few to choose from) accessible on the private store wifi. You should probably serve this frontend only to a certain machine on the network (like the managers computer in the back) and lock everything else out. The last time I ripped CDs on Linux I used whipper, which I believe was the successor to morituri. This is all only legal if the CDs they have already included the licensing fees to play them publicly or are themselves freely licensed. There are sources of freely licensed music out there that you can play publicly without paying.


  • These are fair points, that I have no real argument with, but I do have a different perspective.

    • Tastes vary widely, especially when you try to start trying to throw a little humor into the horror mix. I genuinely enjoy watching some things others really hate and conversely can’t stand to watch some franchises that I know are actually pretty good.
    • I freely admit that I enjoy cheaply made horror and movies that makes big swings and take wild chances. Sometimes that works out. Sometimes it doesn’t. Sometimes even the failures open the door to something else. The Alien franchise might have taken a really different direction if James Cameron didn’t work on Galaxy of Terror (a low budget mess of a movie that I don’t recommend to anyone that isn’t seriously into bad movies the way I am). Even though I don’t like Galaxy of Terror enough to repeatedly watch it, I’m grateful for the insight.
    • I think the trick really is to find a reviewer(s) whose taste align with yours. For example, I enjoy watch Brandon Tenold’s takes on cult movies on YouTube. I don’t always bother to find and watch the movies he reviews, but after watching his take I can usually get a good feel for if I’ll enjoy it enough to spend the time and effort to find and watch it.
    • My time for movies, shows, and books is not precious and limited. If I start watching or reading something that I’m not into, I’m okay with not finishing it. There’s no reason to torture myself over it, I just move on. I don’t consider this a waste of time.




  • Jellyfish cannot to setup to securely and safely be exposed to the Internet. It is only safe to access through a VPN. That rules it out as an option for sharing with friends, family, or even my own spouse. You call it phoning home to the mother ship; I call it paying Plex to manage user authentication for me. Until Jellyfin’s security holes are patched and it becomes clear that the Jellyfin developers actually care about security, it stays locked down to my LAN. Setting up a VPN is difficult for the average user on a good day, impossible in some circumstances on even the best of days, and is not access I want to hand out (and support) to all the people I share my Plex with anyway.



  • If someone wrote this article in the early 90s, it would be called “Why I ditched the radio, and how I created my own CD collection.” I think rephrasing it that way really shines a light on why it’s mostly still comparing apples and oranges.

    I have a pretty substantial collection of music hovering around 5,000 albums or 1.6TB (mostly lossless FLAC these days, but still some moldy old mp3s and ogg vorbis files from my youth). I’m not even counting the physical media I still hold on to. I still use Spotify for discovery and playlists. I don’t think the depth and breadth of my library will ever match the depth and breadth of the music that I want to listen to in the very next moment. Lots of times I want to listen to the stuff I’m familiar with, and I do that using my own library. But, when I want to: remember a song I heard in the wild, share a holiday playlist with friends, make an obscurely themed playlist of songs features peaches, preview a musician’s or band’s stuff, discover other things that musician has collaborated on, or simply discover new music; I still use Spotify.

    There are (or were) bits and pieces out there (many that pre-date Spotify) that can do some of these things. Last.fm (fka Audioscrobbler) was good for tracking listening habits to compare and share with others, it helped a little with discovery. I used allmusic.com a lot long ago to discover the artists that inspired the artists I was listening. If I wanted to share a playlist, I made a mixtape (really it was burning a mix CD). But, all of these collected information only, not the music itself. If I wanted to actually hear a new song, I had to go somewhere and find it first. That often meant literally traveling somewhere else or ordering from a catalog and waiting for delivery. Every new music discovery was a bet made with real dollars that I would actually enjoy the thing or listen to it more than once. Even after napster paved the way for free listening via piracy, one still had to work to actually find the music.

    Spotify (and similar services) finally collected (almost) all of it under one app, so that I could discover and listen seemlessly. It is instant gratification music discovery. I’ll never give up my self hosted collection, but I also don’t have much hope that any self curated collection will be able to complete with the way that I use Spotify. Spotify is just the new radio. It’s never the end of my listening though. Just like with radio, when I find something I like enough, then I can expend the energy (or more often expend the money as directly with the band as I can) to add it to my collection.



  • Plexamp has gotten better lately. It can save your progress on audiobooks now. It’s a per library feature, so I have one library of music (that does not save progress) and one for audiobooks (that does save progress). I used to have trouble with some audiobook formats (M4Bs needed to be converted (really just renamed) to mp4s, but that wasn’t necessary for the last few I loaded. Plex still has a little trouble with standards around multiple authors and different productions (and different readers) of a single book, but that’s more of an ID3 tag problem and is resolved if you’re consistent in normalizing the tags on your library. I’ve also used the syncing features a bunch for offline time (like on a plane or on long trips). For a large library, I see syncing offline files as a necessary feature.

    And before the Jellyfin fanboys chime in, if Jellyfin could match these audio and syncing features (and be easier to setup for access outside my LAN and sharing with family), I jump ship in a heartbeat.



  • Pineapple pizza really is kinda meh by itself. But, pineapple + jalapeno + a salty/savory topping like pepperoni can be amazing.

    Semi-tangential non-sequitor: The news algorithms offered up the recipe for an “Italian treat” recently that had me appalled and curious in the same way I expect pineapple pizza haters are. It was very ripe cantaloupe slices wrapped in prosciutto. I don’t even really know what to say. I just don’t want to be alone in knowing about that monstrosity.



  • Mpd + a frontend of your choosing, I prefer ncmpcpp, will run on just about anything and is remotely controlled through apps or ssh. Mpd is great when the server is physically connected to the audio output device. I use it to remotely control a speaker connected server that can also run Plex (because I prefer plexamp for streaming and syncing to my phone, other android devices, and smart speakers). They both look at the same directory of a collection near 30 years in the making with hundreds of thousands of files and a wide array of formats.